A study on the portrayal of mythological hybrid forms in modern Indian art

Authors

  • Dr. Subrata Dey Assistant Professor, Department of Fine Arts, Tripura University, Agartala

DOI:

https://doi.org/10.31305/rrijm.2024.v09.n07.019

Keywords:

Hybrid form, Mythology, Culture, Contemporary art

Abstract

Indian hybrid mythology, its historical context, its cultural connotations, and the ways in which Indian artists depict anthropomorphism in their works of Indian art and culture. Through an analysis of the artists' histories, ideologies, and methods, our research reveals how they have balanced innovation with tradition in their works. It demonstrates how artists use cultural themes, mythology, and folklore as inspiration to depict the intricacies of identity in society. The dissertation explores the impact of Indian hybrid forms and how they subvert societal norms that balance modernity and heritage in our culture. The research provides a thorough understanding of the rich Indian form and its significance on the international form arena by examining the techniques and symbols utilized by for designers and delving deeply into difficulties. In general, this study advances knowledge about hybrid form, its variety in India, and its relevance in the contemporary art scene.

Author Biography

Dr. Subrata Dey, Assistant Professor, Department of Fine Arts, Tripura University, Agartala

Dr. Subrata Dey born in 1979, at Agartala, Tripura, India. He graduated from Tripura University Agartala and Masters Degree from S.N School, University of Hyderabad, and Ph.D.  From Assam University, Silchar. The author has participated in several exhibitions, artist residencies, and workshops across the platforms of India and Bangladesh. Since 2010 he has been working as an Assistant Professor at the Department of Fine Arts, Tripura University, Tripura.

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Published

15-07-2024

How to Cite

Dey, S. (2024). A study on the portrayal of mythological hybrid forms in modern Indian art. RESEARCH REVIEW International Journal of Multidisciplinary, 9(7), 153–163. https://doi.org/10.31305/rrijm.2024.v09.n07.019