Exploration of Isolation, Materialism, Racism, and Absurdity in The Caretaker
DOI:
https://doi.org/10.31305/rrijm.2024.v09.n12.024Keywords:
Isolation, Materialism, Racism, Confusing, Chaotic, Family relationship, StruggleAbstract
The Caretaker was Pinter's inaugural play to achieve both critical praise and financial success. Pinter's engagement with two cohabiting brothers, one of whom permitted an elderly tramp to remain with them briefly, formed the foundation for the play. The Caretaker explores power dynamics, familial ties, and the gap between illusion and reality. Mental health issues and the difficulties encountered by the impoverished are examined. Pinter crafts a play that provokes complex responses from the audience by amalgamating humour with melancholy. The play's intricacy, Pinter's skilful dialogue, and the profundity and understanding of its themes all substantiate the claim that it is a contemporary classic. The drama addresses themes of racism, class separation, materialism, identity, absurdity, and loneliness. Substantial disparities are present among the personalities. Their isolated lifestyle hinders the formation of profound, lasting relationships with others. The Caretaker's realm is tumultuous. Existence is devoid of profound significance or inherent purpose, characterized by disorder, turmoil, confusion, and animosity. Attaining importance or value in relation to God, society, others, or oneself is challenging. The principal protagonists confront isolation, bereavement, and significant external pressures.
References
Billington, M. (1996). The Life and Work of Harold Pinter. London: Faber and Faber Ltd.
Burkman, K. (1971). The Dramatic World of Harold Pinter: Its Basis in Ritual. Columbus: Ohio State University Press.
Pinter, H. (1991). The Caretaker, in Harold Pinter: Two Plays. London: Faber & Faber Ltd.
Pinter, H. (1996). Writing for Theatre. London: Faber and Faber.
Victor, L.C. (1993). Gender and Power in the Plays of Harold Pinter. London: St. Martin’s Press.
Quote by Karl Marx: “The Idea of the ruling class are in every epoch…” (www.goodreads.com)
Leonard, Powlick, “What the hell is that all about?’ A Peak at Pinter’s Dramaturgy”, Harold Pinter: Critical Approaches, ed. Steven H. Gale (Cranbury, NJ: Associated UP, 1986)
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This is an open access article under the CC BY-NC-ND license Creative Commons Attribution-Noncommercial 4.0 International (CC BY-NC 4.0).